While many fans took time over the last 18 months to read about the band’s vital part in New York City’s early 21st century rock renaissance, or bask in the glory of their hugely successful 15th anniversary tour celebrating the seminal 2002 debut “Turn On the Bright Lights,” the trio have been quietly (sorry, LOUDLY) working on making sure they’re not just a cultural timepiece for music historians to study. If that was ever the case, the Interpol captured on their sixth album are nothing of the sort.
I mean, in certain circles, we’re considered wimps!” “It seemed like you’re picking on the wrong rock band,” adds Sam with a laugh. “We ruined it for everyone,” reflects Daniel. “That rarely happens, even with heavy-hitters,” says Sam.Įventually, the trio were playing with such force and volume, that a neighbor called the boys in blue on the boys in black, forcing them out of the practice space. Even in its infancy, Marauder was shaping up to be a beast an early practice session was so vigorous, it resulted in Sam hitting the drums so hard that he busted his kick drum. The long arm of the law caught up with Daniel Kessler, Paul Banks, and Sam Fogarino in 2017, as they worked on a new album inside the Yeah Yeah Yeahs’ rehearsal space in Manhattan. It finally happened somebody called the cops on Interpol.
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